Representation for us is very difficult in film or using our own identities. Could theatre have a solution?

For some of us, it's a big risk to appear in audio using our own voices (which is why though I was desperate to appear on @Preventionintvn's podcast, I had to rely on the voice and generously given time of an advocate.

Other people use voice >

> modification instead but this is (a) potentially vulnerable to reverse engineering and (b) makes our voices sound weird and distorted, like we're not quite human.

The problem: It's really hard for people to recognise our humanity when we have to dehumanise ourselves >

> and I wonder if there could be another way.

Some people are enormously brave, like Todd Nickerson, appearing as himself on camera with @LAHWF
https://youtube.com/watch?v=GOb493ued-g
- but I doubt too many of us are going to follow suit...

There is one other approach, though, >

> (which has been around quite a while) called #verbatimtheatre in which actors read out the words, exactly as spoken, of someone interviewed beforehand. It's used for all kinds of purposes, but one of the most effective is in giving a human physical presence and a voice to >

> people whose voice cannot easily be heard, and who might otherwise be invisible.

This is exactly the situation of most MAPs. There are some of us, maybe, who have offended and thereby lost their employability and safety who perhaps (perhaps!) have less reason to care >

> about the world being able to link their real identity with their MAPness.

But non-offending MAPs have that thing of being able to remain anonymous in the world. It's obviously helpful in some ways to be invisible, but in other ways it's a deep well of loneliness. >

> I am hoping that some verbatim theatre makers with a platform might take a look at our situation, consider whether they can do anything with our voices, and whether there's a human story there that they would consider representing, in whatever way they think is balanced. ::

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review of erotic innocence by james kincaid

thread: normalizing pedophilia?

review: manticore

ethan edwards

Kincaid thinks we should go back to hugging kids and playing with them without worrying obsessively. But he then adds, curiously, "if you find yourself getting too excited, going too far, wanting to incite or not to stop — then stop."

bly

The term "normalization" has come to mean "shut up" when used against us on social media.

the gardener

Disgraced director's film brings an elevated aesthetic to a contemporary tragedy of dark desires, but does it get the situation right?

Kincaid thinks we should go back to hugging kids and playing with them without worrying obsessively. But he then adds, curiously, "if you find yourself getting too excited, going too far, wanting to incite or not to stop — then stop."

The term "normalization" has come to mean "shut up" when used against us on social media.

Disgraced director's film brings an elevated aesthetic to a contemporary tragedy of dark desires, but does it get the situation right?